A special ritual event to bless Misha’s return to Mexico.
Misha Marks presents his field recordings from Mexico.
Wonderful brass bands in the villages of Villa Hidalgo Yalálag, San Bartolomé Zoogocho and Santa María Tavehua in the Sierra Norte of Oaxaca and some other things…
The Auricle Record Club returns for a limited run of regular BYO vinyl social listening sessions. Standard single turntable setup, vinyl only.
An early session on this occasion, with Master Japanese Drummer Sabu Toyozumi in presence next door at Darkroom this evening also.
Refreshments etc. via the aforementioned Room.
Sasha Ford is a researcher and sound artist currently based in Montreal, Canada. Her practice centers around sound composition and performance, experimental art criticism, and philosophical writing. An active member of DIY music scenes across Canada for over a decade, Ford has performed in dozens of cities across North America as part of numerous musical projects. Most recently with her solo experimental electronic project Blankets, she performed at the International Noise Conference in Miami, and the Ende Tymes Festival of Noise and Experimental Liberation in Brooklyn, NY. She holds an MA in Media Studies from Concordia University and is currently at work writing a collection of essays of aesthetic theory.
Regressor is a corpse.
Lazy Sunday Afternoon matinee
5 March – 2pm
After the dastardly last minute cancellation of their appearance at the recent POSTTD festival, Lyttelton’s supreme drone ratbags are set to dupe you all once again with a rare afternoon appearance at the Auricle. Those of a nervous disposition need to be forewarned: the guitarist is threatening to play in a standard tuning for the first time in 15 years, while the cellist will be debuting a new effects unit without having consulted the manual. There have been no rehearsals. A qualified doctor will be on hand to provide philosophical comfort to the mixing console. It could well be the performance of the year, and it’s only March.
No charge, children welcome (BYO restraints).
The ‘mixtape’ is a familiar idea: a compilation of pre-existing recordings that expresses the taste and identity of the compiler, and which often is intended as a gift to a particular recipient. Compiling a mixtape is a creative act analogous to that performed by a DJ or, indeed, any art curator. It involves all manner of practical and aesthetic decisions in selection and sequencing of material, and in the way this is presented. Making a mixtape is like constructing an art museum group show in miniature – one, however, that takes place in a non-institutional and amateur setting. ‘Mixtape’ at the Auricle seeks to bridge personal and public spheres in the form of a gift from its contributing artists to any receptive ears.
Jerome Noetinger composes studio-based works and performs improvised music using reel to reel tape recorders and magnetic tape, analogue synthesisers, mixing desks, speakers, microphones, various electronic household objects and home-made electronica. He performs both solo and in ensembles and tours extensively.
Noetinger is director of Metamkine, a non-profit organisation dedicated to the distribution of improvised and electroacoustic music.
Bruce Russell is a founding member and guitarist of the noise rock trio The Dead C and the free noise combo A Handful of Dust (with Alastair Galbraith). He has released solo albums featuring guitar and tape manipulation, and has contributed articles to British music magazine The Wire.
He established the Xpressway record label, which was active from 1985 until the early 1990s, releasing mostly cassettes and a few records. Russell then founded the Corpus Hermeticum record label. Xpressway released only music by New Zealanders, usually song-based. Corpus Hermeticum releases, in contrast, may feature New Zealand or international artists, and they eschew song forms in favor of free-form, experimental, usually improvised sounds.
Champions of the World are two derilict and shady characters who grew up in Sumner.
The Party Of Special Things To Do Festival is a series of sonic delights running between February 8th and 11th. Christchurch’s community of sound artists and outsider musicians join forces with guests from Auckland, Wellington, Dunedin, Melbourne and Vienna.
Irene Kepl (Vienna)
Violinist and composer Irene Kepl studied classical violin and jazz in Linz and she now lives
in Vienna. Her work focuses primarily on contemporary classical music, free improvisation, composition, Jazz and groove based musics.
She has performed at many prestigious venues and festivals including: Klangspuren Schwaz, Festival 4020, Festival Unlimited, 12 points Festival/SE, Donau Festival Ulm, DanceKiosk Hamburg/GER, Java Jazz Festival, Jazzfest Vienna, Jazz Festival Petrovac/ME. Her music has been broadcast on various radio stations in Austria and abroad.
She has received the fellowship “Music OMI” New York, Gustav Mahler Composition Prize, the national scholarship for young musicians, the talent development award for composition from Upper Austria and the Theodor Körner Prize for composition.
Commissioned works for Brucknerfest Linz, ORF Musikprotokoll and Wiener Festwochen. She has worked with Joëlle Leàndre/FR, Malcolm Goldstein and George Cremaschi/USA, Korhan Ehel/TR, Petr Vrba/CZ and Moe Staiano/USA amongst others. She is also the founder of the monthly held concert series “Musik in Raum” in Upper Austria which will feature many different projects. Further work includes commissions for theater, film and sound installations.
Ivan Mršić is a Croatian New Zealand interdisciplinary artist, percussionist, composer and improviser.
Motoko is a Dunedin based artist who works across many fields. We look forward to her magical and spontaneous violin.
Seth Rees is a sound artist who action paints with detuned guitars, multi-effects and feedback to create detailed sonic compositions of textured tone, movement and stasis.
Grvdggr is the solo sound project of Dunedin based artist Brendan Jon Philip.
Sonic Poem is an interactive sound installation that transposes Malaysian sound artist Kok Siew-Wai’s improvisational vocal techniques onto the phonological properties of the alphabet. These properties are then engaged with through the written expressions of the participant via a 140-character audiovisual interface.
Paul Timings is a New Zealand artist who develops installations and recordings via algorithmically generated soundscapes, using source material primarily derived from field recordings.